Panch Mukha Sadashiva

 

Pancha Mukha Sadashiva (Five faces of Sadashiva) as was self-realized in various stages, all of which completed a few years back …

This painted image is also based upon four cardinal directions … So, request consider the top part of this painting as the Northerly direction …

Space is directionless, and yet when we study it, we need some base to refer to its directional parts … And thus is the need of directions …

Since this topic is a shortened one (as its actual version would become a few hundred pages), so I have provided appropriate links of words, but only for those aspirants who wish to know specific aspects that though have been discussed here, but briefly …

 

AA) …

Regarding Sadashiva … Why was this painting suggested here? …

·        Everything is a part of Sadashiva … Sadashiva is omnipresent … This I know through many direct cognitions that happened during the last few decades … These faces are shown in a formless state, as this is how these were cognized …

·        By everything in mean, that these light (colors as described in above painted sketch) are seen everywhere by me, during my subtle body travels (Sukshma Sharira Gaman) and also those even beyond travels that are of the Causal body (Antahkarana Chatushtaya, or simply, the Bliss sheath or Anandamaya Kosha) … And in addition to these two types of travels, the states shown in above image were also verified during those further ‘even subtler or beyond’ travels that were through various Siddha Sharira (Siddha Bodies) that are self-manifested within the physical body and thence travel to these shown states, so as to finally get self-absorbed into their own principal causes, as shown in this painted figure …

·        By everywhere, I also mean within my own microcosm (and also everyone else’s physical vehicle) and within each part of the universe … Every Galaxy also has these colors as shown in above painting … As such, since space is directionless (i.e. space is devoid of directions), so I also use these colors to know the directions in relation to this planet, where my physical body resides at that time (of observation within subtle travels) …

·        These four cardinal faces of Sadashiva are also the basis of establishment of four Vyasa Peetha (Amnaya Peetha or Four Vedic Monasteries), Division of Vedas into four parts (Veda Chatushtaya), four primary parts of Antahkarana (Antahkarana Chatushtaya) and Four main temples (Char Dham or Dham Chatushtaya), all of which are also subtly present inside the physical body …

·        The outer edges of any universe (There are many universes beyond this one as were seen during subtle travels that are beyond this universe, so this universe is definitely not the only one) are also having the same four cardinal lights as shown in above figure …

·        Each universe is in Linga form as is when we view it after the Siddha body travels beyond the envelope of this universe (But this state leads to some suffering to the physical vehicle as the Pranamaya Kosha or Vital air sheath, becomes violent after this travel beyond the universe) … This Multi universe is symbolically shown in the first painted sketch of this link …

 

BB) …

Is it limited for only a formless state as shown in above painting …

Everything is a self-expression, self-manifestation and self-presence of the same original being (Brahman) … Sadashiva is an intrinsic partless-part of that vast primary self-expression of Para Brahman … But the entirety of self-expression, self-manifestation and self-presence of Brahman is as follows …

·        Saguna Sakara aspect … Attributed form or in simple words, that state which has attributes (or qualities) and it also has a form …

·        Saguna Nirakara aspect … As shown in above painted sketch … Attributed formless or in simple words, that state which has attributes (or qualities) and yet it also has a formless condition …

·        Nirguna Nirakara … Attributed formless or in simple words, that state which is devoid of attributes (or devoid of qualities) and it also has a formless condition … When we use the word “Attributeless (Nirguna)” with the word formless (Nirakara), then that formless is naught but infinite (Ananta) … Thus, it was due to this reason, that, Brahman is also addressed as Nirguna Nirakara Brahman and was also addressed as Ananta by Vedic sages …

·        And in addition these three primary aspect (as described in above three bullet points), which are also of Panch Mukha Shiva, when we talk of Sadashiva, then we cannot ignore the Lingatmak Awastha … Thus, we have Panch Mukha Lingams of Shiva … Lingatmak means, Symbol of Atman or in other words, Atman as a Lingam …

·        This painted sketch relates to all above stated four aspects …

 

CC) …

Now regarding the five faces of Sadashiva (as shown in above painting) …

 

CC-1) …

Southern face of Sadashiva (Shown as the lower blue colored part of above painting) and Rudra (Shown as extreme lower Orangish-red light in above painting …

·        Aghora is of a navy blue color … It is the most binding divinity across the entirety of macrocosm and thus when the astral body (Sookshma Sharira) arrives at Aghora face of Shiva, it just gets stuck there for a considerable amount of time …

·        It has the endless sound of Aham, so it also denotes Ahamkara (Universal I’ness) … Thus, that “I feeling” is of Aghora face … Tibetan Bardo Rudra (Tibetan Book of dead) says this fact, through the Mantra of “OM Ah-Hum” … 

·        It relates to Yajurveda and its Vedic Mahavakya (Great statement of Vedas or Vedic universal statement) is of Aham Brahmasmi … In simple words, this Mahavakya means as, I Am That or I Am Brahman) … The state of Biblical lore’s which was told as “I Am That I Am”, is also an intrinsic part of this Aghora face of Sadashiva …

·        Thus, basis above, Ahamkara of Aghora Shiva is Vishuddha (pristine or stainless state of I’ness) and this stainless state is because it is of a universal nature i.e. it is not restricted to limited-aspects like those of I, You, He, She, Us, They, etc.) … Ahumkara as is at Aghora is related to partless state of allness …

·        Its Krityam (or action) is Rejuvenative-destruction (Samhara) …

·        It’s divinity is Knowledge (i.e. it denotes supreme knowledge) …

·        It relates to macrocosmic attribute of stability (Tamoguna or attribute of inertia) … So, when the subtle vehicle (i.e. blue colored Sookshma Sharira) reaches Aghora face, it just gets stuck there and that too for a pretty long time … So, Aghora is actually having a restricting or constricting energy …

·        Divinities of Aghora are also the reason for blue shift of astronomy …

·        Once when I was sitting at Singapore airport (Changi) and awaiting the boarding and was editing my book, an elderly Imam Sahab sat beside me and saw this painting (or Aghora), and then he told “This blue body which you have painted here, is called as Rooh”  … And, since his expressions at that time were pristine, so I believed him …

·        In Tibetan Bardo, the same  Aghora is also addressed as Buddha Samanthabhadra, whose Mantra is told as “OM Ah-Hum” …

·        This relates to Blue Kachina of Native American lore’s …

·        The Blue colored body (Astral body or Sukshma Sharira) as shown in above painting, is finally-absorbed in Aghora face and after that it loses its bodied state and thus becomes formless (Just as Aghora also is) … Just as is the case when a drop merges to the ocean, then that drop is the ocean itself, so is the case after the blue colored astral body merges to Aghora …

·        After this the Causal travels start and eventually reach that state, which as such is beyond Aghora …

·        As per my own calculations within Kala Chakra (which itself were basis my earlier astral travel), as of now, our planetary sun, which had self-manifested at northern face of Sadashiva, i.e. Vamadeva, has travelled about 179.3 degrees from the Northern face of Sadashiva … Thus, even in our Galaxy, our sun is currently resting in the southern side, that itself is of Aghora face … Thus, as of now, Aghora is the primary face of Sadashiva that is applicable to our planetary system …

·        Rudra self-manifests out of Aghora face of Shiva … Rudra is Orangish Tawny color … So, along with the darker colored (Blue colored) state of Aghora from whom Rudra self-manifests, In Vedas, Rudra is also addressed as Krishna Pingala (Dark Tawny) … Rudra Deva is an expansive energy and I say so because, when the Subtle body (Sukshma Sharira) enters into a self-realization of Rudra, it just shoots into that which is much-much-beyond and this shooting beyond, is also uncontrollable … Rudra is also addressed as Buddha ALA in Tibetan Bardo (Tibetan Book of dead) … Due to its uncontrollable, spontaneous and exponentially expansive divinities, ALA Buddha (Rudra Deva of Vedas) is also the reason for expanding of anything that we hear in modern astronomy … Thus, Rudra is also the reason for red shift … Rudra (who self-manifests out of Aghora face) has the sound of ALA (ALA Nada), so does Tibetan Bardo (Tibetan Book of dead) state this fact as “OM ALA” …

·        Both Ahum Nada and ALA Nada are divine sounds, so they also relate to the vast knowledge, that itself is within the concept of Nada Brahman …

·        Due to the restricting nature of energies (or divinities) of Aghora, when the subtle body is resting at Aghora face, the time becomes as “One moment of eternity”, i.e. the entire timeless-eternity begins residing inside a single moment, which itself is all that is to the dimension of time, when at Aghora … Aghora is also the reason for blue shift …

·        Aghora denotes the 8^th sphere of Mother nature … Rudra denotes the Seventh sphere … Both these sphere are a part of Apra Prakriti (i.e. Here nature or manifest nature) … Thus, the final sphere of Mother Nature, i.e. the 9^th sphere of Nature, is beyond both Aghora and Rudra …

·        Inside Aghora is self-realized the unity of form and formless, as in this state, Form is formless and formless is form … But this self-realization is only after the blue colored subtle body (Sukshma Sharira) is finally dissolved into its own primary cause, i.e. Aghora face …

·        From Aghora is also self-realized the emanations of three attributes (or Triguna) of Prakriti (Nature) … Thus, Aghora is also the reason for direct cognitions of Triguna (three attributes of Mother nature or Prakriti) …

·        Of the Pancha Kosha (or five Vedic sheaths), Mind sheath (or Manomaya Kosha) is of Aghora … And the final self-realization after Mind sheath also dissolves in Aghora, is of “Mann Brahma (which in simple words means as “Mind is Absolute” and it also means, Mind is a self-manifestation of the Absolute being, to whom all paths eventually lead) …

·        I also know, that, Allah Tala (or Islam) is none other than Rudra himself and who is also addressed as the primordial wrathful ALA Buddha (In Tibetan lore’s) … This is because, I only went into the sound of ALA, as I wanted to meet Allah and that too, whilst the subtle body was already stationed at Aghora … This desire to Meet Allah was due to the fact, that one day whilst we as a group of friends were discussing terrorism, and after some time, one of my friends who is a Muslim, said about his inner condition, “My head rests in shame” … So, we all felt so bad that I decided that come what may “I have to meet Allah” and know why and how of him and ask him things, so as to be able to understand mentalities of terrorists and also save all those heads of innocent people resting in shame, as was the case of my friend that day … But that formless Allah was not even anything like these stupid terrorists claim him to be (as I hear in news and now also in other social channels) and thus I came to know, these terrorists would never reach him after they die … And that day, I also came to know, that Allah of Islam, is none other than Rudra Deva of Vedas …

·        The macro-element (Mahabhuta) of this Aghora face is fire or light or heat-luminosity (i.e. Agni Mahabhuta or Prakash Mahabhuta or Tejas Mahabhuta) … This light or fire or Tejas element is of seven colors … And its subtle macro-element (Tanmatra) is Roop (form) … It is due to this reason, that after going beyond this Aghora face of Sadashiva, the travelling subtle vehicle loses its sense of form … So, at this stage, all that seen (cognized or realized) is formless and that too, of very vast dimensions …

·        As soon as this face is being crossed, the travelling vehicle meets up with four beings … This is because, this face of Sadashiva only has four beings residing inside it … These four are the four Buddha’s as told about in Mahayana Tantra …

 

 

CC-2) …

Sadyojata face of Sadashiva (Shown as the left side diamond white colored part of above painting) and Pitamah Brahma (Not painted in above sketch but shown in the extreme left side of above painting) …

 

·        This is of a diamond white color … This has 20 distinct worlds, of which 16 are lower placed and 4 are upper ones (this is how it is self-realized when we enter it from this part of the universe and where planet earth exists) …

·        This is what Brahmaloka also means … Brahma Loka means, Abode of Pitamah Brahma (i.e. the pristine abode of the grandfather and creator of allness) …

·        In above shown painting, only four upper words are depicted, which denote Purushartha Chatushtaya (i.e. Four Purusharthas of Dharma, Artha, Kama and Moksha) … Of these four upper worlds (which itself are a part of Sadyojata face of Shiva or Brahma Loka), the three diamond white worlds as shown on the right hand side denote the first three Purusharthas (Dharma, Artha and Kama) and the fourth singular world denotes the 4^th Purushartha of Moksha (i.e. the fourth Purushartha of a final liberation or Kaivalya) …

·        In this fourth world (as shown on the left hand side of Sadyojata Shiva of above painting) resides the Gurudeva of my previous incarnation (Gautama Buddha) along with three other sages (Thus, a total of four sages reside there … That’s all) … These four sages are the four Buddha’s as told in Mahayana Tantra and in reality, there are only four Buddha’s of this Mega-eon as is correctly told sages of Devayana (Mahayana) … 

·        Each of these four diamond white upper worlds of Sadyojata have their own controllers (Controller means, one who controls a world) … These four controllers are also well described in Buddhist lore’s and have been named as Brahma Baka, Brahma Sahampati, Brahma Sanatkumara and Mahabrahma … 

·        Chatur Mukha Pitamah Brahma self-manifests out (springs out) of this Sadyojata face of Shiva and thus he is also told as a Swayambhu (i.e. a Self-originated one) … I have not painted Brahma in above painting, as I am incompetent to do this in a way, that is even close to how Pitamah actually is … Only after self-realizing these four upper worlds of Brahma Loka, does the aspirants consciousness reach Pitamah and then it also sits beside him … I saw Brahma in a human form, four faced, of a diamond white color and so bright that there is no color available to paint him properly and thus if I were to describe Pitamah of allness, then it can only be thus “Sarva-Sam Saguna-Sakara Chatur-Mukha Pitamah Brahma (i.e. macro-equanimous, attributed-form, four faced grandfather and creator of allness” …

·        Separating each of these 20 worlds (of Sadyojata face of Shiva or Brahmaloka) is a light pink colored state … This is Avyakta and in Vedic texts, the same is also termed as Avyakta Prakriti and has also been called as Avyakta Prana … From Avyakta, is originated the Vyana Prana (one of the five Prana’s of vital air sheath or Pranamaya Kosha) and thus, Vyana is also of the same light pink color only … The same Avyakta Prakriti is also named as Tusita Loka, Maya, Ma Maya and is also called as Mahamaya and as Shakti of Brahma …

·        Within the light pink colored Avyakta Prana, is a vast pit like state … This is the Kama Loka (or the world of sex or the world eternal sex) … The inhabitants of this world are continuously engaged in sex … I saw all sexual positions as told in Kamasutra of Vatsyayana and this also proved to me, that Vatsyayana has actually visited this pit of eternal sex that is present inside Avyakta Prakriti and thus this also proved to me, that he actually a very highly advanced sage … The concept of 72 Virgins as told in Islamic lore, are also related to this pit of eternal sex, that exists inside the vast envelopes of Avyakta (or Maya Shakti) …

·        And enveloping all these 20 worlds (of Sadyojata face of Shiva or Brahmaloka) is a non-lighted state of unimaginable expanses … This is Shunya Brahman i.e. that zero which is infinite and simultaneously, that infinite which is zero … Thus, this state can also be termed as Zero Infinite, Infinite zero … And in addition to this, it can also be called as what Buddhist lore tells as “Emptiness is full” and in this statement (or emptiness is full), the word empty denotes Shunya and the word full denotes Brahman, so this statement is also related to Shunya Brahman only …

·        Shunya Brahman is the union of Shunyata (Shunya or emptiness or Shunya Tattva) and Brahman (infinite or Ananta) and it is the original self-expression of Brahman …

·        And within this state, is self-realized a colorless infinite light (of Nirguna Nirakara Brahm) … And this is what leads to a direct cognition of the innermost meaning of the Mahavakya of Samaveda, that was told by sages as “Tat Tvam Asi (which means, Thou Art That, and where the word, That, means Brahman)” … Shunya Brahman is the same as Mahashunya (i.e. Shunya Ananta, or emptiness in an infinite nature) …

·        Para Prakriti i.e. 9^th sphere of Mother nature, is a part of this Sadyojata face …

·        The divine play (or act) of this face is Utpatti Krityam (i.e. origination of allness) …

·        The divinity of this face is of Ichha Shakti (divinity of desires, and where a desire can only be divine, if it relates to macro-neutrality towards allness and her each part) … From this Ichha Shakti (which itself is of Pitamah Brahma), was originated the original subtle impressional macrocosm (Prathamik Sukshma Samskarik Brahmand) and which is also present in each microcosm (each animate, inanimate and supra-animate being) and is as the subtle impressional state of macrocosm (which earlier on was also told about in Aghora face) …

·        This relates to the earth element (Prithvi Mahabhuta or Bhu Mahabhuta) and its subtle macro-element (or Tanmatra) is of Gandha (Smell) … Thus, after going past this face of Sadashiva, the travelling subtle vehicle loses its sense of smell … Earth element (Bhu Mahabhuta) is dirty yellow in color (like Yellow soil or Peeli Mitti) …

 

 

CC-3) …

Vamadeva face of Sadashiva (Shown as the uppermost grey colored part of above painting) and Ardhanarishwara Loka (shown as blue world with silver lights in above painting) and Sri Vishnu (Not painted in above sketch) …

·        This is the northwards face of Sadashiva … So, it is painted to the uppermost side of above painted sketch …

·        This Vamadeva face of Shiva is of a light grey color and it looks like as if smoke is rising upwards from a vast sized Yagya Kunda … This face by itself, is the Yajna Kunda of the entire multi-universe … One who enters it, never returns back to any of the gross, subtle or even the divine worlds, thus, such an aspirant is forever gone from the ever changeful rigmaroles of macrocosmic creation … After entering into it, if anyone would ask macrocosmic divinities about the whereabouts of that aspirant, then the answer would invariably be “He was … But how he is not” (Use the word ‘She’, if you denote the feminine principle in a physical form) and due to this reason, when such an aspirants returns back to the gross realms, nobody can know about is return (except, of course, the Lord of all) …

·        This is Vaikunth … This denotes the ultimate liberation (Kaivalya Moksha) …

·        Sri Vishnu self-manifests out of this face …

·        This denotes the activity of universal preservation (Stithi Krityam) …

·        The element of this Vamadeva face is water (Jalam Mahabhuta) … Jalam Mahabhuta denotes eternal life and it is of a Bluish green color (I mean a bottlish green color) … It also denotes the macrocosmic ocean …

·        Approaching this face is via the eternally unioned formless state of Shakti and Shiva, i.e. formless Ardhanarishwara (as shown below the grey world at uppermost part of above painted sketch) … This is like a very vast blue colored subtle-world that is having silvery white light moving in it and is enveloped by a non-lighted state … This is the formless Arthanarishvara, who also denotes the “Attributed state of Atma (Saguna Atman) … This is also the abode of Shiva (and thus is Shivaloka) and here the union of Shakti and Shiva is also such, that even they may seem separate in the attributes, yet in reality, Shiva is Shakti and Shakti is also none other than Shiva and this is why this painted sketch of formless Ardhanarishwara is actually denoting a perfectly united condition of Shiva and Shakti … In one of the Durlabh Upanishads, this is also told as Vishnu’s divine world (Goloka) … The concept of Harihara also partly-relates to this world of union of Shiva and Shakti … The same Ardhanarishwara, but in his human form, resides in the third eye chakra (Agya Chakra) of each aspirant and whilst he resides there, he also found to be smiling and turning (inside the third eye chakra itself) …

·        After the aspirants subtler vehicle which travels to Vamadeva Shiva, and thence also becomes absorbed into this face, then is when the aspirant comes to know the innermost meaning of the Maha Vakya of Atharvaveda, which sages had thus told … “Ayam Atma Brahma” and which simply means as “This (Atman) is That (Brahman), or in simple words, it means as “Atman is Brahman” …

·        In the sequences of self-presence of these four cardinal faces inside the macrocosm, Vamadeva face is the elder one (Jyeshtha) …

·        I can only describe this face prior entry into it and to a certain extent, soon after entry into it … But because this face is like a vast (macrocosmic sized) Yagya Kunda, so once the subtler vehicle who enters it and then it self-gives itself into its  own self-sacrifice (Swa-Ahuti), this face can never be described … So, I really don’t know what it is like, when deep inside its vast formless envelopes …

·        This Vamadeva face of Shiva is also the same one, whom Vedic sages has addressed as Vaikuntha, Vaikunth, Baikunth, etc. …

 

CC-4) …

Tatpurusha face of Sadashiva (Shown as the right side golden colored part of above painting) and Indraloka (Shown as yellow colored state at extreme right hand side of above painted sketch) …

·        This is of a golden color surrounded by a bursting bright red light …

·        It is also called as Ukar (in the Vedic lore and also in the Yoga Tantra) … From the point of view of its sound (I.e. Sound of letter O) this can also be termed as Okar (i.e. Sound of O) … Okar (i.e. Ukar, Sound of O) is the second seed syllable of the Sound of OM (i.e. AOM or AUM) …

·        This is Hiranyagarbha aspect of Brahman i.e. Parambrahma as a golden womb of creation (or as told in Vedas, Hiranyagarbha Brahma) … Or in other words, this face denotes Brahman as the womb of creating allness and this is why Purana’s state, that, the entire cosmic creation rests in the womb of Brahma …

·        This is also the Karya Brahma aspect of Brahman, i.e. Brahman as the creator of allness (Karya Brahma) …

·        It is also Amitabha Buddha (i.e. or Buddha of eternal light or Buddha of infinite light or Buddha of endless light or Amida Buddha) …

·        This is also the light of Ahura Mazda (of Zoroastrianism) …

·        This is also the golden Dharmakaya (of Buddhist lore’s) …

·        The Hiranyagarbha Sharira (or Golden body or in other words, Tatpurusha Sharira or Buddha body of reality) finally dissolves into it … Once dissolved, the aspirant cannot even see “himself through himself (substitute himself with herself, if you denote the divine feminine in human form)” …

·        This is the only face, which connects egoistic (Abhimani) to non-egoistic (Anabhimani), so this face denotes union of egoism and non-egoism …

·        This is also termed as the golden egg across lore’s, because it is a of a golden egg like state only (and is present inside the brain itself) …

·        Ukar means upwardly moving … This term was used for this face, as it spontaneously and hugely propels the consciousness beyond the four cardinal faces of Sadashiva, but via the path of further stages of self-realizations that pass through the sound of M (Makar or Brahmanada) and thence into a self-realization of sound and symbol of Omkar (which is also present inside the brain only) …

·        From Tatpurusha (Hiranyagarbha) is self-originated Indraloka and Devaraja Indra … Thus Vedic lore says, Brahma firstly gave his knowledge to Indra (this itself is as Indra had firstly self-originated from Hiranyagarbha Brahma or Tatpurusha face itself) …

·        This face denotes Tirodhana Krityam (or Nigraha, which means, divinity of veiling truth from those who are not evolutionary ready to know it) … Thus, such are the ones who eventually claim, “God works in mysterious ways” and which by itself is the truth of being in purviews of Tirodhana of Tatpurusha face of Shiva …

·        This is the face to which Vijyanmaya Kosha (knowledge sheath) relates … This is also the face to whom the term Jeevatman eventually relates …

·        This is the firstly self-manifested face amongst the four cardinal faces of Sadashiva (i.e. The east facing Tatpurusha Shiva, West facing Sadyojata, North facing Vamadeva and south facing Aghora) …

·        Self-realization of the highly luminous state of this face and the further presence of “That colorless infinite light”, that is permeating and enveloping allness, is what leads to the direct cognition of the innermost meaning of a Vedic Mahavakya (of Rigveda) which was told thus by sages … Prajnanam Brahma, which means as Self-luminous is That (or Brahman is Self-luminous) … The word self-luminous (or Swa Prakash or Swayam Prakash) eventually means “That which illumines all and yet remains hidden within and beyond all” … And due to self-luminous being such, an aspirant can know it, but can never describe it fully … And due to this reason, as far as fullness of its descriptions are concerned, “That self-luminous” is definitely realizable to a few rare aspirants, but it has ever remained as indescribable … Thus, you can know it, but you won’t have words to describe it in its utter fullness …

·        This face also denotes the ultimately unioned state of knowledge and consciousness …

·        All words, like Maheshvara, Ishvara, Yogeshvara, Parmeshvara, Yoga Guru, Yoga Rishi, Yogi, Yoga Tantra, Yogiraj, Yoga Samrat, etc., eventually are owned by (i.e. are properties of) Tatpurusha face of Shiva only … There has never been a Yogi who did not relate to Maheshwara …

·        The word Surya (Aditya or Sun) is also related to Tatpurusha only as Surya Deva is naught but a self-manifestation of Maheshvara only … After self-manifestation of Surya from east facing Tatpurusha, the sun (Surya) inwardly travels the entire Dimensions of milky way galaxy and finally surfaces out at northern Vamadeva face … Thus, Surya (Sun) is told to have originated from Vamadeva (because it is at Vamadeva face, that Surya is seen to have originated as prior to this, Sun (Surya Loka) is only travelling close to center of the Milky way and thus is hidden from view …

·        The element of Tatpurusha is air (Vayu Mahabhuta) and its subtle macro-element (Tanmatra) is Sparsha (Touch) … Thus, after the aspirants subtler body (one which is self-realizing) goes beyond Tatpurusha, if feels nothing (nothing can touch it and it touches nothing) and thus this face also denotes the end of attachments to allness and her each part (i.e. it denotes the entry into a final detachment from all that ever is or could ever be) … The air element (Vayu Mahabhuta) is light blue in color …

·        The divinity (Shakti) of this face is Parashakti (Parashakti means, beyond divinity or divinity of beyond or divinity of triple times or Trikali) …

 

CC-5) …

Ishana face of Sadashiva …

·        It is a colorless, omnipresent one … Thus it is not painted in above figure …

·        Its element is Akasha Mahabhuta (Ether element), which when seen from within the macrocosmic creation is found to be of a bright purple color … This Ether is all that is painted in above figure (how to paint the colorless Ishana?) …

·        This face is like a colorless transparent crystal, and it shines to make everything shine in its own light … It is omnipresent one, who rests within and beyond all … This is Nirguna Nirakara Brahma of Vedas …

·        This is the central face … It looks upwards (Skywards) …

·        This is to whom the word Sadashiva eventually relates … This is Virat Parabrahman …

·        It is self-knowable yet not fully describable …

·        It is within and beyond the mind, yet mind doesn’t know it … It denotes the supreme (infinite and omnipresent) mind i.e. Mahakash and which in Vedic lore was also termed as Mann Brahma … Mahakash also denotes Atma is Brahma …

·        It is within and beyond knowledge, yet knowledge doesn’t know it … It denotes the supreme (infinite) knowledge i.e. Gyanakash and which in Vedic lore was also termed as Gyan Brahma … Gyanakash also denotes the attainment of what is meant by Gyanatma ...

·        It is within and beyond the Prana, yet Prana don’t know it … It denotes the supreme (infinite and omnipresent) vitality i.e. which in Vedic lore was also termed as Prana Brahma … The aspirant who knows his Prana thus, becomes a Pranatma...

·        It is within and beyond Ahamkara (I’ness), yet I’ness doesn’t know it … It denotes the supreme (pristine) state of I’ness and thus it also denotes the Vedic Mahavakya of Ahum Brahmasmi, which means as I Am Brahman, or in other words, I Am That …

·        It is knowable through the path of essence of wise words, that, there is “Nowhere to go, nothing to do, nobody to be” … An aspirant who has already successfully completed the path of “detachment from allness” is the one who can know it …

·        It is knowable whilst walking in the path that rests in the innermost essence of the statement “Myself Within Myself” …

·        It denotes supreme (infinite) consciousness, i.e. Chidakash … The sage who has self-realized thus (i.e. Chidakash) is the one who was addressed as Chidatma …

·        Thus, during the entirety of timeless history of Maker’s Makings, only a handful have ever known it … This is Nirguna Brahman …

·        Knowers of IT, go beyond all dualities … These knowers are beyond all dualities like those of good-bad, like-dislike, this path (or text)-that path (or text), God-Satan and such knowers also go beyond that primordial duality, which as-such is bondage-liberation … 

·        The activity (Krityam) of this face is Anugraha (Blessing upon allness) … Thus, this face also denotes the final blessing, which is of Kaivalya Moksha (Kaivalya or Moksha literally means, a full, final and permanent isolation from allness and her each part) or Nirvana (final emancipation) and also denotes Swarupa Stithi …

 

 

DD) …

In addition to all above …

·        Sun and all planets are also related to these five faces of Shiva, but as far as their originations are concerned … This is described here …

·        Across the entirety of triple times, all ways of life, that come by are also related to these five faces … This is described here …

·        The entire ever changeful state of geology of this and other planets (and their moons) is also related to these five faces of Sadashiva… A part of this vast knowledge is described here …

·        Four primary dimensions (Chatush Ayama) of Maker’s Makings, are also related to these faces … A part of this vast knowledge is described here …

·        The entirety of wheel of time (Kaalchakra or eternal cycles of time), cycles of expansion and contractions of space (Wheel of space or Akasha Chakra), cycles of ways of life or cycles of directions (Disha Chakra) and cycles of grossness and subtlety of states (Dasha Chakra) is also related to these faces … But I have only discussed these through Kalachakra (cycle of time or wheel of time) because time by itself is the macrocosmic primordial dimension …

·        Inside them, these five faces of Sadashiva also have the Nav Durga (Nine Durgas), Dus Mahavidya, Panch Vidya, Ashta Matrika, Ashta Bhairava, 64 Yogini with their respective Bhairava, Panch Deva, Trideva, Tridevi and all that is ever thought of and/or adopted as a knowledge system or a way of life …

 

EE) … Problems during Kaliyuga … reason for degradation of Sanatana Dharma …

And since these four cardinal faces represent and remain as the root concept of four Vedas, Four Vedic monasteries (Chatur Amnaya Peetha or Matha Chatvara), four primary temples (Char Dham) and Acharya Chatushtaya (Four primary teachers), so when their knowledge gets corrupted (in their directional aspects and attributes), then Vedic civilization begins ending (i.e. its influence begins ending) in that world where this deviation has taken place …

During the last 5100+ years of Kaliyuga, this is what happened as some Vedic people changed the directional aspects and names of these faces during Kaliyuga … And after this, was the stage when Vedic civilization began degenerating and reached its present state, where even the so called teachers are those, who have not had their direct cognitions of aspects that they talk about …

This degeneration led to sale of knowledge and initiations by teachers of Vedas, which as such was never done during entire history of Vedic lore …

And not only this, other major deviation also took place and this was the same of Yoga and Yoga Tantra by some deviated teachers and leaders of countries …

 

Now read this carefully … As it lists the reason of deviation and corruption of Veda Dharma …

·        Yoga Tantra is the root of evolutionary path … Veda the finality …

·        There has never been a Vedic sage (Rishi, etc.), who was not a Yogi in his root state …

·        And simultaneously with above bullet point … There has also never been a fully accomplished Yogi (Siddha), whose final knowledge was any other than that which was already told by Vedic sages …

·        So, due to above, The root is Yoga and finality of Veda …

·        So, when due to loss of directionality of correct ways of life, when humanity starts selling both (i.e. Yoga and Veda) and where this sale is not just limited to material aspects (it is also related to immaterial metaphysical esoteric aspects), then degeneration is all that comes by in entire humanity …

·        And in addition to above, when both (i.e. Veda and Yoga) are also used for other aspects like those of gaining name, fame, hierarchy in society, etc., then who can save humanity of that world (where such a deviation has already taken place and is also rampant) …

·        All above denote directionless state of humanity i.e. it denotes that state where the divinities of Makers Makings consider this deviation as a stage where entire humanity has already lost the correctness of ways of life (i.e. it denotes the loss of dimension of directions, which relates to progress of life) …

One must never compromise on directional aspects of these faces, as if the direction (or way of life or Disha) gets incorrect, then the “state of being (or Dasha)” also approaches it’s incorrect nature … And when both these (i.e. Disha and Dasha) get incorrect, then “blessing from divinities of infinite space (Akasha Mahabhoot of Ishana face as discussed above) no longer supports you, which leads to very bad times (Viprit Kaal) …

If someone doesn’t believe what is told here, then I suggest to look at present general condition of this world and after this, you won’t miss the truth as is stated here …

 

Love,

Brahmatva